Wilbert Harrison
Perceived by casual oldies fans as a two-hit wonder (his 1959 chart-topper "Kansas City" and a heartwarming "Let's Work Together" a full decade later), Wilbert Harrison actually left behind a varied body of work that blended an intriguing melange of musical idioms into something quite distinctive.
Country and gospel strains filtered into Wilbert Harrison's consciousness as a youth in North Carolina. When he got out of the Navy in Miami around 1950, he began performing in a calypso-based style. Miami entrepreneur Henry Stone signed Harrison to his Rockin' logo in 1953; his debut single, "This Woman of Mine," utilized the very same melody as his later reading of "Kansas City" (the first rendition of the Jerry Leiber/Mike Stoller composition by pianist Little Willie Littlefield came out in 1952, doubtless making an impression). Its flip, a country-tinged "Letter Edged in Black," exhibited Harrison's eclectic mindset.
Country and gospel strains filtered into Wilbert Harrison's consciousness as a youth in North Carolina. When he got out of the Navy in Miami around 1950, he began performing in a calypso-based style. Miami entrepreneur Henry Stone signed Harrison to his Rockin' logo in 1953; his debut single, "This Woman of Mine," utilized the very same melody as his later reading of "Kansas City" (the first rendition of the Jerry Leiber/Mike Stoller composition by pianist Little Willie Littlefield came out in 1952, doubtless making an impression). Its flip, a country-tinged "Letter Edged in Black," exhibited Harrison's eclectic mindset.
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